The failure of the developers to improve this part of the game feels lazy, and is likely to engender contempt in the audience, rather than gratitude for the misguided preservation. I'd held out some hope that a similar rescue would be performed on DMC4, allowing players to enjoy its engagingly frenetic combat without fear that suddenly the camera would get trapped behind a wall or a tall enemy, but it wasn't done.
DEVIL MAY CRY 4 SPECIAL EDITION XBOX ONE SERIES
This cramped viewpoint had been a hallmark of the series until DmC burned everything down and rebuilt it as the properly-framed brawler it always should have been. Chief among these is the game's strange fixation with static, too-close camera angles. While the upgraded graphics and vastly improved framerate are a delight, these technical fixes represent the only major changes made to the game-DMC4's many flaws have been lovingly preserved. In light of these factors, it's hard to see the revamped version of DMC4 as anything other than a cash grab, and little about the presentation does anything to dispel this notion. More importantly, the coherence and design excellence in Ninja Theory's DmC reboot makes the previous Capcom-developed games seem creaky and outdated. Things were blatantly left open for a sequel, but main character Dante making peace with Nero (the reincarnation of his troubled brother) was a natural stopping point, and I didn't see that there was much more to be done with Dante as a character.
To start with, as the terminus of the original DMC series, it offered a certain amount of closure to the franchise. WTF How did anyone ever sign off on Lady and Trish's costumes?ĭevil May Cry 4 is an odd game to resurrect, for a few reasons. LOW Many, many deaths caused by foes swooping in from off-camera. HIGH Slicing through an entire room of monsters with a single swipe of Vergil's blade.
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